Difference between revisions of "Character Background Generator"
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Instititutions, foster parents and mentors are determined by the character's class. Normally, an individual starts training as a bard, cleric, druid and so on at the age of 8 to 10. A foundling or a young character forced to fend for themselves — who has clearly made something of themself, since we're looking back — relies upon whatever culture is willing to support them. Assassins thus come from cultures very different than an illusionist or a paladin. | Instititutions, foster parents and mentors are determined by the character's class. Normally, an individual starts training as a bard, cleric, druid and so on at the age of 8 to 10. A foundling or a young character forced to fend for themselves — who has clearly made something of themself, since we're looking back — relies upon whatever culture is willing to support them. Assassins thus come from cultures very different than an illusionist or a paladin. | ||
− | {| class="wikitable" style="float:left; margin-right: 25px; text-align: | + | {| class="wikitable" style="float:left; margin-right: 25px; text-align: left; background-color:#d4f2f2;" |
|- | |- | ||
− | ! Class !! Institution [d20] | + | ! style="text-align: center"|Class !! style="text-align: center"|Institution [d20] |
|- | |- | ||
− | | assassin || barracks (1-3), beggar's guild (4-16), shipboard (17-19), whorehouse (20) | + | | style="text-align: center"|assassin || barracks (1-3), beggar's guild (4-16), shipboard (17-19), whorehouse (20) |
|- | |- | ||
− | | bard || bard's college (1-14), guildhouse (15-16), performing troupe (17-20) | + | | style="text-align: center"|bard || bard's college (1-14), guildhouse (15-16), performing troupe (17-20) |
|- | |- | ||
− | | cleric || church (1-14), monastery (15-20) | + | | style="text-align: center"|cleric || church (1-14), monastery (15-20) |
|- | |- | ||
− | | druid || manor farm | + | | style="text-align: center"|druid || manor farm |
|- | |- | ||
− | | fighter || barracks (1-12), camp follower (13), manor farm (14-16), shipboard (17-20) | + | | style="text-align: center"|fighter || barracks (1-12), camp follower (13), manor farm (14-16), shipboard (17-20) |
|- | |- | ||
− | | illusionist || guildhouse (1-9), library (10-20) | + | | style="text-align: center"|illusionist || guildhouse (1-9), library (10-20) |
|- | |- | ||
− | | mage || guildhouse (1-14), library (15-20) | + | | style="text-align: center"|mage || guildhouse (1-14), library (15-20) |
|- | |- | ||
− | | monk || monastery | + | | style="text-align: center"|monk || monastery |
|- | |- | ||
− | | paladin || barracks (1-12), manor farm (13-19), monastery (20) | + | | style="text-align: center"|paladin || barracks (1-12), manor farm (13-19), monastery (20) |
|- | |- | ||
− | | ranger || manor farm (1-9), shipboard (10-20) | + | | style="text-align: center"|ranger || manor farm (1-9), shipboard (10-20) |
|- | |- | ||
− | | thief || beggar's guild (1-12), guildhouse (13), shipboard (14-18), whorehouse (19-20) | + | | style="text-align: center"|thief || beggar's guild (1-12), guildhouse (13), shipboard (14-18), whorehouse (19-20) |
Revision as of 18:55, 25 April 2022
The character background generator is a series of random rolls designed to outline a new player character's basic characteristics and idiosyncracies resulting from cultural heritage, race, age, ability stats and chance events happening during the individual in the time prior to joining the game. The generator concentrates on social relationships and skills that originate with the game world and do not, therefore, come within the player's sphere of control. For example, the player isn't given the choice of deciding whether or not his or her parents are alive, whom he was raised by, what generational skills he or she was taught, into what social class the character was born, what others who have known the character for years think, how much money he or she has with which to start the game and so on.
Contents
It's standard in many games to allow the player to invent an entirely fictional "background" that serves their personal needs; this system sets out, instead, to create a completely RANDOM background, over which neither the character nor the DM has control. Players may, after the fact, choose to lie about their background; they may make up a background that suits them; but they cannot change the actual fact of what their background was, a fact that's known to the other players and the DM as a matter of game play.
The generator includes a considerable number of both elaborate and simple tables that strives to offer so many possibilities that the generation of two identical characters would be next to impossible. Normally, these tables are incorporated into an excel file for random generation, but for the wiki I have chosen to include all results as a series of open tables for readers to examine.
Physical Characteristics
Height & Weight
Initially, the character's physical creation requires the character's height and weight. For this, height is measured in feet and inches, while weight is measured in lbs. These represent the character in the peak of condition, unless indicated otherwise elsewhere in the generator. Base height depends upon the character's race and birth sex. Base weight depends on the character's race and birth sex, and also upon results indicating gluttony, agility and lack of balance.
Height Rolls
roll 4d6 |
FEMALE HEIGHT | MALE HEIGHT | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
dwarf | elf | gnome | half-elf | halfling | half-orc | human | dwarf | elf | gnome | half-elf | halfling | half-orc | human | |
4 | 3 ft. 3 in. | 3 ft. 10 in. | 2 ft. 9 in. | 4 ft. 5 in. | 2 ft. 4 in. | 4 ft. 5 in. | 4 ft. 9 in. | 3 ft. 5 in. | 4 ft. 3 in. | 3 ft. | 4 ft. 9 in. | 2 ft. 7 in. | 4 ft. 9 in. | 5 ft. |
5 | 3 ft. 4 in. | 3 ft. 11 in. | 2 ft. 10 in. | 4 ft. 6 in. | 2 ft. 5 in. | 4 ft. 6 in. | 4 ft. 10 in. | 3 ft. 6 in. | 4 ft. 4 in. | 3 ft. 1 in. | 4 ft. 10 in. | 2 ft. 7 in. | 4 ft. 10 in. | 5 ft. 1 in. |
6 | 3 ft. 5 in. | 4 ft. | 2 ft. 11 in. | 4 ft. 7 in. | 2 ft. 5 in. | 4 ft. 7 in. | 4 ft. 10 in. | 3 ft. 7 in. | 4 ft. 5 in. | 3 ft. 1 in. | 4 ft. 10 in. | 2 ft. 8 in. | 4 ft. 10 in. | 5 ft. 2 in. |
7 | 3 ft. 5 in. | 4 ft. 1 in. | 2 ft. 11 in. | 4 ft. 8 in. | 2 ft. 6 in. | 4 ft. 8 in. | 4 ft. 11 in. | 3 ft. 7 in. | 4 ft. 6 in. | 3 ft. 2 in. | 4 ft. 11 in. | 2 ft. 8 in. | 4 ft. 11 in. | 5 ft. 3 in. |
8 | 3 ft. 6 in. | 4 ft. 1 in. | 3 ft. | 4 ft. 9 in. | 2 ft. 6 in. | 4 ft. 9 in. | 5 ft. | 3 ft. 8 in. | 4 ft. 7 in. | 3 ft. 2 in. | 5 ft. | 2 ft. 9 in. | 5 ft. | 5 ft. 4 in. |
9 | 3 ft. 7 in. | 4 ft. 2 in. | 3 ft. | 4 ft. 10 in. | 2 ft. 7 in. | 4 ft. 10 in. | 5 ft. 1 in. | 3 ft. 9 in. | 4 ft. 8 in. | 3 ft. 3 in. | 5 ft. 1 in. | 2 ft. 9 in. | 5 ft. 1 in. | 5 ft. 5 in. |
10 | 3 ft. 7 in. | 4 ft. 3 in. | 3 ft. 1 in. | 4 ft. 10 in. | 2 ft. 7 in. | 4 ft. 10 in. | 5 ft. 2 in. | 3 ft. 9 in. | 4 ft. 9 in. | 3 ft. 4 in. | 5 ft. 2 in. | 2 ft. 10 in. | 5 ft. 2 in. | 5 ft. 6 in. |
11 | 3 ft. 8 in. | 4 ft. 4 in. | 3 ft. 1 in. | 4 ft. 11 in. | 2 ft. 8 in. | 4 ft. 11 in. | 5 ft. 3 in. | 3 ft. 10 in. | 4 ft. 9 in. | 3 ft. 4 in. | 5 ft. 3 in. | 2 ft. 10 in. | 5 ft. 3 in. | 5 ft. 7 in. |
12 | 3 ft. 9 in. | 4 ft. 4 in. | 3 ft. 2 in. | 5 ft. | 2 ft. 8 in. | 5 ft. | 5 ft. 4 in. | 3 ft. 11 in. | 4 ft. 10 in. | 3 ft. 5 in. | 5 ft. 4 in. | 2 ft. 11 in. | 5 ft. 4 in. | 5 ft. 8 in. |
13 | 3 ft. 9 in. | 4 ft. 5 in. | 3 ft. 2 in. | 5 ft. 1 in. | 2 ft. 9 in. | 5 ft. 1 in. | 5 ft. 5 in. | 3 ft. 11 in. | 4 ft. 11 in. | 3 ft. 5 in. | 5 ft. 5 in. | 2 ft. 11 in. | 5 ft. 5 in. | 5 ft. 9 in. |
14 | 3 ft. 10 in. | 4 ft. 6 in. | 3 ft. 3 in. | 5 ft. 2 in. | 2 ft. 9 in. | 5 ft. 2 in. | 5 ft. 6 in. | 4 ft. | 5 ft. | 3 ft. 6 in. | 5 ft. 6 in. | 3 ft. | 5 ft. 6 in. | 5 ft. 10 in. |
15 | 3 ft. 11 in. | 4 ft. 7 in. | 3 ft. 4 in. | 5 ft. 3 in. | 2 ft. 9 in. | 5 ft. 3 in. | 5 ft. 7 in. | 4 ft. 1 in. | 5 ft. 1 in. | 3 ft. 7 in. | 5 ft. 7 in. | 3 ft. 1 in. | 5 ft. 7 in. | 5 ft. 11 in. |
16 | 3 ft. 11 in. | 4 ft. 8 in. | 3 ft. 4 in. | 5 ft. 4 in. | 2 ft. 10 in. | 5 ft. 4 in. | 5 ft. 8 in. | 4 ft. 1 in. | 5 ft. 2 in. | 3 ft. 7 in. | 5 ft. 8 in. | 3 ft. 1 in. | 5 ft. 8 in. | 6 ft. |
17 | 4 ft. | 4 ft. 8 in. | 3 ft. 5 in. | 5 ft. 5 in. | 2 ft. 10 in. | 5 ft. 5 in. | 5 ft. 9 in. | 4 ft. 2 in. | 5 ft. 3 in. | 3 ft. 8 in. | 5 ft. 9 in. | 3 ft. 2 in. | 5 ft. 9 in. | 6 ft. 1 in. |
18 | 4 ft. 1 in. | 4 ft. 9 in. | 3 ft. 5 in. | 5 ft. 6 in. | 2 ft. 11 in. | 5 ft. 6 in. | 5 ft. 10 in. | 4 ft. 3 in. | 5 ft. 3 in. | 3 ft. 8 in. | 5 ft. 10 in. | 3 ft. 2 in. | 5 ft. 10 in. | 6 ft. 2 in. |
19 | 4 ft. 1 in. | 4 ft. 10 in. | 3 ft. 6 in. | 5 ft. 6 in. | 2 ft. 11 in. | 5 ft. 6 in. | 5 ft. 11 in. | 4 ft. 3 in. | 5 ft. 4 in. | 3 ft. 9 in. | 5 ft. 11 in. | 3 ft. 3 in. | 5 ft. 11 in. | 6 ft. 3 in. |
20 | 4 ft. 2 in. | 4 ft. 11 in. | 3 ft. 6 in. | 5 ft. 7 in. | 3 ft. | 5 ft. 7 in. | 6 ft. | 4 ft. 4 in. | 5 ft. 5 in. | 3 ft. 10 in. | 6 ft. | 3 ft. 3 in. | 6 ft. | 6 ft. 4 in. |
21 | 4 ft. 3 in. | 4 ft. 11 in. | 3 ft. 7 in. | 5 ft. 8 in. | 3 ft. | 5 ft. 8 in. | 6 ft. 1 in. | 4 ft. 5 in. | 5 ft. 6 in. | 3 ft. 10 in. | 6 ft. 1 in. | 3 ft. 4 in. | 6 ft. 1 in. | 6 ft. 5 in. |
22 | 4 ft. 3 in. | 5 ft. | 3 ft. 7 in. | 5 ft. 9 in. | 3 ft. 1 in. | 5 ft. 9 in. | 6 ft. 2 in. | 4 ft. 5 in. | 5 ft. 7 in. | 3 ft. 11 in. | 6 ft. 2 in. | 3 ft. 4 in. | 6 ft. 2 in. | 6 ft. 6 in. |
23 | 4 ft. 4 in. | 5 ft. 1 in. | 3 ft. 8 in. | 5 ft. 10 in. | 3 ft. 1 in. | 5 ft. 10 in. | 6 ft. 2 in. | 4 ft. 6 in. | 5 ft. 8 in. | 3 ft. 11 in. | 6 ft. 2 in. | 3 ft. 5 in. | 6 ft. 3 in. | 6 ft. 7 in. |
24 | 4 ft. 5 in. | 5 ft. 2 in. | 3 ft. 9 in. | 5 ft. 11 in. | 3 ft. 2 in. | 5 ft. 11 in. | 6 ft. 3 in. | 4 ft. 7 in. | 5 ft. 9 in. | 4 ft. | 6 ft. 3 in. | 3 ft. 5 in. | 6 ft. 3 in. | 6 ft. 8 in. |
Weight Rolls
roll 4d6 |
FEMALE WEIGHT | MALE WEIGHT | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
dwarf | elf | gnome | half-elf | halfling | half-orc | human | dwarf | elf | gnome | half-elf | halfling | half-orc | human | |
4 | 99 | 66 | 62 | 83 | 41 | 107 | 116 | 124 | 83 | 66 | 107 | 50 | 124 | 144 |
5 | 102 | 68 | 64 | 85 | 42 | 110 | 119 | 127 | 85 | 68 | 110 | 51 | 127 | 148 |
6 | 105 | 70 | 65 | 87 | 44 | 113 | 122 | 131 | 87 | 70 | 113 | 52 | 131 | 153 |
7 | 107 | 72 | 67 | 90 | 45 | 116 | 125 | 134 | 90 | 72 | 116 | 54 | 134 | 157 |
8 | 110 | 74 | 69 | 92 | 46 | 120 | 129 | 138 | 92 | 74 | 120 | 55 | 138 | 161 |
9 | 113 | 75 | 71 | 94 | 47 | 123 | 132 | 142 | 94 | 75 | 123 | 57 | 142 | 165 |
10 | 116 | 77 | 73 | 97 | 48 | 126 | 136 | 145 | 97 | 77 | 126 | 58 | 145 | 169 |
11 | 119 | 79 | 74 | 99 | 50 | 129 | 139 | 149 | 99 | 79 | 129 | 60 | 149 | 174 |
12 | 122 | 81 | 76 | 102 | 51 | 132 | 143 | 153 | 102 | 81 | 132 | 61 | 153 | 178 |
13 | 125 | 84 | 78 | 104 | 52 | 136 | 146 | 157 | 104 | 84 | 136 | 63 | 157 | 183 |
14 | 128 | 86 | 80 | 107 | 53 | 139 | 150 | 160 | 107 | 86 | 139 | 64 | 160 | 187 |
15 | 133 | 89 | 83 | 111 | 55 | 144 | 155 | 166 | 111 | 89 | 144 | 66 | 166 | 194 |
16 | 137 | 92 | 86 | 114 | 57 | 149 | 160 | 172 | 114 | 92 | 149 | 69 | 172 | 200 |
17 | 142 | 95 | 89 | 118 | 59 | 154 | 166 | 177 | 118 | 95 | 154 | 71 | 177 | 207 |
18 | 147 | 98 | 92 | 122 | 61 | 159 | 171 | 183 | 122 | 98 | 159 | 73 | 183 | 214 |
19 | 151 | 101 | 95 | 126 | 63 | 164 | 177 | 189 | 126 | 101 | 164 | 76 | 189 | 221 |
20 | 156 | 104 | 98 | 130 | 65 | 169 | 182 | 195 | 130 | 104 | 169 | 78 | 195 | 228 |
21 | 161 | 107 | 101 | 134 | 67 | 174 | 188 | 201 | 134 | 107 | 174 | 80 | 201 | 235 |
22 | 166 | 111 | 104 | 138 | 69 | 180 | 194 | 207 | 138 | 111 | 180 | 83 | 207 | 242 |
23 | 171 | 114 | 107 | 142 | 71 | 185 | 199 | 214 | 142 | 114 | 185 | 85 | 214 | 249 |
24 | 176 | 117 | 110 | 147 | 73 | 191 | 205 | 220 | 147 | 117 | 191 | 88 | 220 | 257 |
Age
Class | Dwarf | Elf | Gnome | Half-elf | Halfling | Half-orc | Human |
---|---|---|---|---|---|---|---|
Assassin | 27+1d4 | 14+2d4 | 20+1d4 | 16+2d4 | na | 37+1d6 | 20+1d4 |
Bard | na | na | na | 33+1d4 | na | na | 25+1d4 |
Cleric | 57+2d4 | 38+1d8 | 48+1d10 | 28+1d6 | na | 30+1d6 | 20+1d4 |
Druid | na | na | na | 30+1d6 | 36+1d8 | na | 22+1d4 |
Fighter | 16+1d4 | 15+1d4 | 15+1d4 | 18+1d4 | 17+1d4 | 25+1d6 | 14+1d4 |
Illusionist | na | na | 21+2d6 | na | na | na | 29+2d8 |
Mage | na | 22+2d4 | na | 23+2d6 | na | na | 24+2d8 |
Monk | na | na | na | na | na | na | 23+1d4 |
Paladin | na | na | na | na | na | na | 19+1d4 |
Ranger | na | 18+1d4 | na | 21+1d4 | na | na | 17+1d4 |
Thief | 25+1d4 | 12+2d4 | 18+1d4 | 14+2d4 | 29+1d6 | 35+1d6 | 18+1d4 |
Next comes the calculation of age according to class and race. My game doesn't recognize the extended lifespans given to non-human characters in AD&D, so my character races are adjusted to fit the traditional human lifespan. This translates to some characters being unusually old (dwarf and gnome clerics) or atypically young (elven assassins and thieves). My feeling is the disparity reflects some races resistance against training individuals until they've reached a certain age — or that youth indicates how much faster some races master a character class compared to others.
Multi-classed characters begin with the highest base number of all classes possessed; the total modifiers for all classes is added. For example, a half-elven fighter/mage would have a base age of "23," adding "2d6 + 1d4" to that base. This makes the multi-classed half-elven's age an average of 32-33.
Further Age Details
The character's age as determined at this point describes the time needed to complete his or her training; however, there are other things that can happen to the character that arise from other tables in the generator. For example, the character might have spent time in jail, or might have lost time due to a family tragedy or due to laziness. So this is only tentatively the character's final age.
Counting backwards, we determine the character's year of birth. If the year is 1650 and the character is 32 years old, then he or she was born in 1618. We determine the exact date of the year by rolling randomly against every day of the calendar, taking note whether the birth year was a leap year.
Skin Tone
Though the player may wish otherwise, the character is not permitted to decide the colour of their skin, hair, eyes, or even the vitality of these things. Because a strong sentiment for individuality is preferable, the tables for skin-tone, hair and eye colour are extensive. I've adopted a premise that demi-human races possess a greater homogeneity that human races — if only because we possess much more knowledge of individual humans living in different parts of the world than we have for dwarves, elves, gnomes, halflings or half-orcs.
The image shown was found years ago on a cosmetic website for the purpose of explaining which foundation was best to wear with which colours. I don't know the source any more, but there are many similar images that can be found for this purpose, such as this one.
For some, skin tone is a touchy subject. It's fair to say that most would rather let the players choose their skin tone rather than assign it randomly. However, in keeping with the argument that the colour of one's skin is NOT something we get to choose about our coming into being, I don't believe it's appropriate for characters to have this as an option.
Moreover, I believe that by embracing every kind of skin tone in our characters is mature and appropriate. I would immediately boot any player who raised a conflict about their elf's colouring, or that their fighter or thief happened to originate in North Africa or the Middle East, and therefore had a sienna or sepia skin tone. My game world respects and appreciates persons of all races — though some villains in the game world do not — and as a DM I don't carry on vendettas against persons of any background or appearance.
It could be argued that my choices for non-human races deserve evaluation — but it should be understood that the choice, or belief in the "right" possibilities, is a personal matter. Any DM could easily adjust the table to their liking. A player might suggest my adding a choice prior to their generating a character. But there cannot be a definite right or wrong list with regards to a fictional ideal: not even one that is strictly respectful towards Tolkein's work. I don't run a version of Middle Earth. I run my own world, with its own rules, substantively influenced by details I can find in the real world.
I have many tables for the distribution of skin tone — one for each demi-human race and one for different ethnic parts of the world. The number of options means to reflect the stability of the culture and the variability of tribal movements dating back tens of thousands of years.
Roll | Demi-humans | |||||
---|---|---|---|---|---|---|
Dwarf | Elf | Gnome | Half-elf | Halfling | Half-orc | |
1 | bronze | ivory | bronze | alabaster | bronze | bronze |
2 | olive | nordic | olive | cream | honey | dark honey |
3 | sepia | – | tan | soft beige | – | greenish walnut |
Demi-humans
Elves in my game world live in the north, so most half-elves to as well, though there is more mixing of races with human stock. Dwarves, gnomes and halflings dwell in mid-to-high temperate climates; some dwarves and gnomes spend most of their lives underground; halflings do not. Half-orcs come from the Asian steppelands. My world's history explains that all these races originated in ways very different from humans, primarily from off-world and arriving through planar gates tens of thousands of years ago. For much of their history they occupied lands devoid of human culture until only 7,000 years ago ... so that their genetic heritage is abnormally stable compared to humans. That is why so few choices for skin tone are given.
"Dark honey" and "greenish walnut" are not shown on the foundation chart, and reflect my conception for what colours a half-orc would possess, coming as they do from a humanoid race not of the earth and related to ogres and haruchai.
To determine the character's skin tone, we choose the column and roll against it. For example, an elven character rolls 1-2 to determine tone; a "1" indicates the character has ivory skin; a "2" indicates nordic.
Roll | African humans | Asian humans | Proto-asian humans | |||||||
---|---|---|---|---|---|---|---|---|---|---|
Sub-saharan Africa |
East & South Africa |
North Africa | East Asia | Himalayan | India Sub- continent |
Southeast Asia |
Turkestan | Polynesian | Amerindian | |
1 | chocolate | almond | almond | caucasian | almond | almond | honey | beige | earth | beige |
2 | earth | bronze | bronze | honey | bronze | beige | olive | bronze | ebony | honey |
3 | ebony | caramel | caramel | olive | sepia | caramel | sienna | honey | molasses | olive |
4 | mocha | chocolate | honey | sienna | – | chocolate | – | olive | sepia | – |
5 | molasses | cocoa | olive | soft beige | – | cocoa | – | sepia | – | – |
6 | sepia | earth | sepia | – | – | sienna | – | – | – | – |
7 | – | ebony | tan | – | – | – | – | – | – | – |
8 | – | mahogany | – | – | – | – | – | – | – | – |
9 | – | mocha | – | – | – | – | – | – | – | – |
10 | – | molasses | – | – | – | – | – | – | – | – |
11 | – | sepia | – | – | – | – | – | – | – | – |
African & Asian Humans
Sub-sahara includes regions south of the Sahara Desert, the Gambia, Ghana and Sudan, reaching from the Atlantic to the Nile — lands of savanna and jungle. East and South Africa includes the Congo jungles and the savanna vegetations reaching from Somalia to the Cape of Good Hope, including the Kalahari, Madagascar and islands in the Indian Ocean. North Africa includes lands between the south coast of the Mediterranean well into the Sahara oases, Berbers, Libyans and Egyptians.
East Asia describes Japan and China, including those parts to the north and west touched by the Han Dynasty. Himalayan lands include Tibet, the Takla Makan and the sweeping ranges from the Tian Shan to Bhutan. The India Subcontinent counts the lowlands lands from Assam and the Ganges-Brahmaputra Delta reaching west to the Indus, and south to the tip of India. Southeast asia includes the East Indies and the Philippines, but not the Pacific or Australian continent. Turkestan includes the high country west of the Himalayas and north of Persia, between the Tien Shan and the Caspian/Aral seas and south of the Siberian forest.
Polynesian peoples occupy the islands of the Pacific and include Australia. Amerindians include all the humans who came to the Americas some fifteen thousand years ago.
The plethora of possibilities in East and South Asia reflects the origin of the human race, for research into skin tone indicates that at the source there are the greatest number of unique and individual persons ... all of them with pigmentation that reflects an Equatorial environment. In comparison, the Himalayas represent the least interactive genetic pool on the list, so naturally it produces the most homogeneous colours.
The Middle and Near East regions appear on the next table, with European humans.
Roll | European humans | Middle East humans | |||||
---|---|---|---|---|---|---|---|
West Europe |
Scandinavia | Germanic | Slavic Lands |
Mediterranean | Turkic | Persian | |
1 | alabaster | alabaster | caucasian | alabaster | almond | beige | beige |
2 | cream | fair | cream | cream | beige | bronze | caucasian |
3 | nordic | ivory | fair | fair | fair | honey | fair |
4 | soft beige | nordic | nordic | ivory | honey | olive | honey |
5 | – | soft beige | sienna | nordic | olive | sienna | – |
6 | – | – | soft beige | soft beige | tan | tan | – |
7 | – | – | tan | – | – | – | – |
Europe & the Middle East
West Europe include Britain and France, whose genetics are influenced by many tribes, including the Franks, Saxons, Danes, Vandals and Visigoths. Scandinavia include Denmark and the lands above the North and Baltic seas. Germanic includes the greatly mixed peoples north of the Alps. Slavic Lands are a mixture of westward moving tribes and the Rus peoples from the north, from the Carpathians to the Urals. Mediterranean humans include those on the north side of the Mediterranean Sea, from Greece to Spain.
The Middle East represents a complex heritage; both "Turkic" and "Persian" peoples represent groups created by the mixture of Semetic peoples from the south mixed with incoming tribes from Turkestan. Thus, although people of the Arabian Peninsula are distinctly not Turkic, their genetic heritage includes much Turkish-and-north-Asian heritage. The same can be said for the peoples of Afghanistan and Iran with respect to the Persians. Both headings aren't meant to describe the many, many social groups within the lands between the Aegean and the Himalayas, but rather to describe genetic traits related to those areas.
Hair
Determining the colour and vitality of a character's hair is much more complex than skin tone, as besides regional factors there are real matters of the character's physical beauty and charisma to consider. Certain hair colours and characteristics are recognised as more attractive than others ... and so the generator must take this into account. In keeping with the uncertainty of all things, not every charismatic character has "great hair" — rather, we want a system that favours it, rather than dictates.
Additionally, the generator defines a difference of even 1 point of charisma with regards to the likelihood of a vivacious, luscious head of hair. And so the character's specific charisma, whether it's 8, 9 or 10, matters! Finally, with regards to hair, some randomness is also a factor. Together, these conditions offer a considerable variation of appearance based on the character's real ability stats.
The method requires two d20 rolls. The first roll subtracts charisma to produce a number between 17 and -17, determining the character's hair "colour." The second roll subtracts charisma to determine the hair's "condition." These numbers are called "adjusted charisma."
- For example, if a character's charisma were 3 and the die roll produced a "20", the result would be 17 (20-17=3) — the maximum possible result and therefore the worst result. This same character might get a result anywhere from 17 to -2 ... but could not get a better result than -2.
- At the same time, a different character with a charisma of 17 would, rolling a natural "20," get a result of 3, whereas if they rolled a "1," the result would be -17. There are many cases throughout the generator where the character's ability stats are calculated in this way.
This may seem like a lot of effort to make just to determine a character's hair, but I feel these details provide depth and feel to the overall character generation.
To determine the kind of hair a character has, both the color and the hair's condition must be calculated by first rolling two d20 and minusing the character's charisma from each, then comparing the first to the Hair Colour table and the second to the Hair Condition table.
Adj. Charisma |
Demi-humans | |||||
---|---|---|---|---|---|---|
Dwarf | Elf | Gnome | Half-elf | Halfling | Half-orc | |
+17 to +14 | ash grey | sooty black | ash grey | ginger | salt & pepper grey |
sooty black |
+13 to +4 | ash brown | russet brown | tawny | russet brown | ash brown | |
+3 to -5 | tawny | |||||
-6 to -9 | copper red | wheaten | ginger | jet black | ginger | jet black |
-10 to -12 | ginger | jet black | wheaten | |||
-13 to -14 | bronze | flat white | bronze | flat white | flaming red | bluish black |
-15 to -16 | flaming red | platinum blonde | flaming red | platinum blonde | ||
-17 | silver grey |
Ethnic regions conform to those described under skin tone.
Hair Colour
The lower colours at the bottom, where the adjusted charisma is in the negatives, are considered most attractive to members of that race. When determining the individual character's colour where more than one option exists, the options are wholly determined randomly.
- For example, Lillith has a charisma of 16 and rolls a "2" on a d20, giving her an adjusted charisma of -14. This puts her result between "-13 to -17," where it gives three possible colours: flat white, platinum blonde and silver grey. Lillith simply rolls a d3 to determine which.
Overall, the emphasis for aesthetic is to suggest rich colours are more attractive than drab, so that less charismatic characters tend towards early greying while beautiful people are blessed with unusual hues like "flaming red" or "bluish black." With some peoples, such as half-orcs, the overall distribution is very narrow, even when the adjusted charisma roll improves.
Adj. Charisma |
African humans | Asian humans | Proto-asian humans | |||||||
---|---|---|---|---|---|---|---|---|---|---|
Sub-saharan Africa |
East & South Africa |
North Africa | East Asia | Himalayan | India Sub- continent |
Southeast Asia |
Turkestan | Polynesian | Amerindian | |
+17 to +14 | iron grey | iron grey | iron grey | iron grey | ash grey | iron grey | iron grey | steel grey | iron grey | iron grey |
+13 to -5 | flat black | flat black | ash brown | flat black | flat black | flat black | flat black | russet brown | flat black | sooty black |
russet brown | salt & pepper grey |
salt & pepper grey | ||||||||
salt & pepper grey |
salt & pepper grey |
sandy brown | salt & pepper grey |
silver grey | sandy brown | |||||
sooty black | sooty black | sooty black | ||||||||
-6 to -12 | jet black | jet black | chestnut brown | jet black | jet black | jet black | jet black | chestnut brown | jet black | jet black |
honey blonde | ||||||||||
tawny | tawny | jet black | jet black | |||||||
tawny | ||||||||||
-6 to -12 | raven black | raven black | raven black | raven black | golden blonde | raven black | raven black | bronze | raven black | raven black |
raven black | raven black |
With many human races, hair colour is nearly always uniformly black — although the lustre improves attractiveness.
What follows is a description of each type for aiding characters in understanding what the words mean:
- ash blonde: blonde with dark roots and a hint of grey
- ash brown: brunette hair blended with cool grey tones; sometimes called "mushroom brown"
Adj. Charisma |
European humans | Middle East humans | |||||
---|---|---|---|---|---|---|---|
West Europe |
Scandinavia | Germanic | Slavic Lands |
Mediterranean | Turkic | Persian | |
+17 to +14 | ash grey | ash grey | steel grey | steel grey | steel grey | iron grey | iron grey |
iron grey | sooty grey | iron grey | |||||
steel grey | — | steel grey | |||||
+13 to -5 | ash brown | ash brown | ash brown | ash brown | ash brown | russet brown | russet brown |
russet brown | russet brown | russet brown | russet brown | russet brown | |||
salt & pepper grey |
sandy brown | salt & pepper grey |
salt & pepper grey |
sandy brown | |||
sandy brown | wheaten | sandy brown | sandy brown | sooty black | sooty black | sooty black | |
strawberry blonde | — | sooty black | sooty black | — | |||
— | strawberry blonde | — | |||||
-6 to -12 | ash blonde | ash blonde | ash blonde | auburn | auburn | chestnut brown | chestnut brown |
auburn | auburn | auburn | chestnut brown | chestnut brown | jet black | honey blonde | |
chestnut brown | chestnut brown | chestnut brown | jet black | honey blonde | — | — | |
jet black | ginger | jet black | tawny | tawny | |||
— | tawny | — | — | ||||
-13 to -17 | flaming red | bronze | flaxen | raven black | flaxen | raven black | raven black |
flaxen | copper red | ||||||
platinum blonde | flaming red | ||||||
raven black | flaxen | platinum blonde | raven black | ||||
— | platinum blonde | ||||||
raven black |
- ash grey: the darker end of the grey spectrum, with a smoky hue
- auburn: reddish-brown, ranging from medium red to burgundy
- bluish black: thick black hair with blue highlights, called "balayage"
- bronze: brunette hair with notes of gold that look vibrant
- chestnut brown: deep brown with reddish hues
- copper red: dark, rich ginger hair blended with brunette
- flaming red: shocking bright red with crimson and orange highlights
- flat black: black hair without gloss or sheen, dull
- flat white: eerily matte appearance with a velvety lustre
- flaxen: pale yellow-grey, the colour of straw
- ginger: burnt orange blended with pale reddish-brown
- golden blonde: warm, rich yellowy colour
- honey blonde: blend of blonde hair with a sheen of light brown
- honey brown: warm brown colour with honey highlights
- iron grey: dark, dull grey colour
- jet black: intense black with a dramatic blue and purple undertone
- platinum blonde: whitish blonde hair with an luscious metallic gloss
- raven black: lustrous shimmering black with a softened tone
- russet brown: hard reddish-brown blended with grey undertones
- salt & pepper grey: mixture of black & grey with traces of white
- sandy brown: soft light brown hair lacking shine
- silver grey: shiny grey hair mingled with white strands
- sooty black: dusky, dull-coloured black with hints of depth
- sooty grey: uniform, flat grey colour lacking sheen
- steel grey: distinctive bluish grey with a hard lustre
- strawberry blonde: reddish blonde hair with an orange hue
- tawny: pale brown with tan highlights and varying sheen
- wheaten: soft brown-blonde hair with light brown highlights
On the whole, players tend to forget or ignore their assigned hair colour, inserting a "latent image" that corresponds to an impression of what they think their character ought to look like. And usually it won't matter, because such players tend not to identify visually with their characters at all. However, for players who are interested in exploring a unique appearance, who may even draw an image of the character for themselves, the random generation provides a baseline from which to design.
Hair Type
Roll | Demi-humans | African humans | Asian humans | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Dwarf | Elf | Gnome | Half-elf | Halfling | Half-orc | Sub-saharan, East & South Africa |
North Africa | East & Southeast Asia |
Himalayan | India Sub- continent |
Turkestan | |
1 | spiral curls | stick-straight | s-waves | stick-straight | spiral curls | kinked | kinked | kinked | stick-straight | straight w/ slight wave |
stick-straight | stick-straight |
2 | s-waves | straight w/ slight wave |
straight w/ slight wave |
— | s-waves | tightly coiled | tightly coiled | spiral curls | — | — | straight w/ slight wave |
straight w/ slight wave |
3 | — | straight w/ body wave |
— | — | — | tight corkscrews |
tight corkscrews |
s-waves | — | — | — | s-waves |
4 | — | — | — | — | — | — | — | tightly coiled | — | — | — | — |
Roll | Proto-asian humans | European humans | Middle East humans | ||||||
---|---|---|---|---|---|---|---|---|---|
Polynesian | Amerindian | West Europe |
Scandinavia | Germanic | Slavic Lands |
Mediterranean | Turkic | Persian | |
1 | tight corkscrews |
stick-straight | spiral curls | stick-straight | ringlets | ringlets | spiral curls | spiral curls | spiral curls |
2 | — | straight w/ slight wave |
straight w/ slight wave |
straight w/ slight wave |
spiral curls | spiral curls | spiral curls | straight w/ body wave |
stick-straight |
3 | — | — | s-waves | straight w/ body wave |
stick-straight | straight w/ slight wave |
s-waves | s-waves | straight w/ body wave |
4 | — | — | — | — | straight w/ body wave |
s-waves | tightly coiled | tightly coiled | s-waves |
5 | — | — | — | — | s-waves | — | — | — | tightly coiled |
Hair exists in a variety of textures, which exhibit themselves as curl pattern, volume and consistency. Like colour, hair type is distinctive in different parts of the world, so this too becomes something that's added to the character's physical description. In many parts of the world, hair tends towards a singular type — Asian hair, for example, is nearly always straight, growing perpendicularly from the scalp. It also tends to grow faster than other types of hair.
The management of hair is part of the character's experience — for though a character cannot choose the type of hair they have, they can decide how it's worn. Persons living in temperate climates, with wavy or curly hair, often choose to grow their hair out long as protection against the elements. To manage this volume, hair is bound with cords or threads, or braided elaborately for comfort and convenience. Further north, extensive beards are worn as well, as a beard helps keep the face warm in sub-polar weather.
Characters that are male may wish to experiment with the facial appearance of beards, creating a goatee or mustache. These details can add verve to the character, and creates the need to carry a mirror so the appearance can be maintained. In warmer climates, characters may wish to shave their heads. In the case of African hair, which is characterised by tight curls and kinks, shaving the head or clipping hair close to the skull is often preferable — though growing out a single long braid, either large or small, occurs as a sign of manhood and breeding in many cultures.
How a character fixes or manipulates their hair is as important as the colour and type of hair itself. However, a player may not have the opportunity to enjoy long, flowing tresses, as charisma also dictates the health and vitality of hair — and for characters who prefer to use charisma as a dump stat, they may find their hair is not all they hoped.
Adj. Charisma |
Hair's vitality & health | Adj. Charisma |
Hair's vitality & health |
---|---|---|---|
+17 to +16 | thin, shedding hair with a scalp chronically infected by a persistent fungus |
0 | somewhat dry, can be let alone |
+15 | thin, shedding hair with patches of baldness throughout |
-1 to -2 | healthy but coarse to the touch |
+14 to +13 | thin, showing mid-to-high frontal baldness | -3 to -4 | healthy with a light natural bouyancy |
+13 | mid-to-high frontal baldness | -5 | produces a natural rumpled, pleasant appearance |
+12 | substantial bald spot above the forehead | -6 to -7 | thick and full |
+11 | some receding, with a recognisable bald patch at the back |
-8 to -9 | full and downy to the touch |
+10 | fairly sparse hair all over, with a slight bald patch at the back |
-10 | visibly silken in appearance, with sheen |
+9 | hair wispy and thin, but healthy | -11 to -12 | glossy in light and lush |
+8 | thin with a tendency towards being chronic greasiness that never quite washes away |
-13 to -14 | sumptuous and positively glowing |
+7 to +6 | chronically greasy, requiring frequent washing |
-15 to -16 | excessively luxuriant and exciting to the touch |
+5 to +3 | frequently oily, though easily washed out | -17 | superabundant in volume and exciting to touch |
+2 to +1 | chronically dry, needing treatment | — | — |
Hair Condition & Health
It may seem an absurdity of grittiness to have a player's character be concerned with the relative bounce and fullness of their hair — and to be completely honest, players tend to ignore the information anyway, because they don't wish to acknowledge that their 7 charisma character is prematurely balding or has hair that's stringy and infected. Nonetheless, experience demonstrates that rolling for this detail, and others, causes the player to think about his or her character in ways they would never have imagined. This promotes a tactile, informative depth to the character creation process — so that even if the player fails to recognise the importance of "this" detail, the greater impact of so many details, of such variety and of more or less significance, builds a climate of concern and interest in the character's identity.
To calculate the health of the character's hair, we use the 2nd charisma adjustment roll asked for above. Once again, we roll a d20 and subtract the character's charisma, producing a number between 17 and -17. The result is then checked on a single table that affects all peoples and all races in the same manner. With higher numbers, the individual's hair is scraggly and thin, suggestive of poor health, something that would be evident to anyone being met.
Lower numbers describe fullness and buoyancy, the sort of hair that attracts attention immediately. A good player can make use of either of these characteristics to establish a greater feel for the persona being played.
Eye Colour
Like hair, certain eye colours possess an unparalleled attractiveness, and so the character's charisma affects a luminosity and richness of colour in the character's eyes. Also, the presence of non-human races gives the opportunity for eye colours that don't exist in humans ... providing interesting opportunities in determining this physical characteristic. In general, fantastic colours are considered more appealing than brown eyes — though it can be recognised that there are many shades of brown, some of which are considered more attractive than others.
There are other matters having to do with a character's eyes and hair that have yet to be addressed, namely the possibility of a character being an albino, or possessing heterochromia. These things are dealt with below.
Adj. Charisma |
Demi-humans | |||||
---|---|---|---|---|---|---|
Dwarf | Elf | Gnome | Half-elf | Halfling | Half-orc | |
+17 to +14 | moss green | china blue | seaweed green | faded blue | umber brown | turquoise |
+13 to +1 | coal black | china blue | hazel | cornflower blue | chocolate brown |
hazel |
cornflower blue | moss green | faded blue | ||||
graphite | sky blue | pine green | sky blue | walnut brown | ||
— | walnut brown | — | ||||
0 | pewter | china blue | fern green | china blue | gingerbread brown |
hazel |
-1 to -8 | cloud grey | sea green | forest green | fern green | chestnut brown |
pink w/ green flecks |
ebony black | steel blue | steel blue | cinnamon brown | |||
slate grey | — | — | — | |||
-9 to -13 | emerald green | crystal blue | cat's eye green | baby blue | chartreuse | pink w/ grey flecks |
jet black | electric blue | forest green | emerald green | |||
obsidian | emerald green | russet brown | ice blue | honey brown | ||
topaz brown | ice blue | tawny brown | sapphire blue | |||
— | sapphire blue | — | — | — | ||
-14 to -17 | amber | amethyst | bottle green | aquamarine | champagne brown | pale pink |
charcoal grey | aquamarine | grass green | indigo | golden brown | ||
golden brown |
indigo | midnight black | violet | silver grey | ||
silver grey | ultramarine | ultramarine | — | — | ||
— | violet | ultraviolet | — | — |
Adj. Charisma |
African humans | Asian humans | Proto-asian humans | |||||||
---|---|---|---|---|---|---|---|---|---|---|
Sub-saharan Africa |
East & South Africa |
North Africa | East Asia | Himalayan | India Sub- continent |
Southeast Asia |
Turkestan | Polynesian | Amerindian | |
+17 to +14 | chocolate brown |
walnut brown | chocolate brown |
walnut brown | walnut brown | walnut brown | walnut brown | walnut brown | chocolate brown |
walnut brown |
+13 to +1 | chocolate brown |
chocolate brown |
china blue | chocolate brown |
walnut brown | chocolate brown |
chocolate brown |
walnut brown | chocolate brown |
walnut brown |
chocolate brown |
jade green | |||||||||
walnut brown | walnut brown | faded blue | walnut brown | walnut brown | walnut brown | walnut brown | ||||
graphite | — | |||||||||
— | — | walnut brown | — | — | — | — | ||||
0 | chocolate brown |
chocolate brown |
chocolate brown |
walnut brown | walnut brown | walnut brown | walnut brown | walnut brown | chocolate brown |
walnut brown |
-1 to -8 | chestnut brown |
chestnut brown |
chestnut brown |
chestnut brown |
whiskey brown |
chestnut brown |
chestnut brown |
whiskey brown |
chestnut brown |
whiskey brown |
cloud grey | ||||||||||
whiskey brown |
whiskey brown |
slate grey | whiskey brown |
whiskey brown |
whiskey brown |
whiskey brown | ||||
whiskey brown | ||||||||||
-9 to -13 | russet brown | russet brown | baby blue | russet brown | crystal blue | honey brown | russet brown | topaz brown | russet brown | topaz brown |
crystal blue | honey brown | russet brown | ||||||||
russet brown | topaz brown | ice blue | ice blue | topaz brown | ||||||
— | tawny brown | topaz brown | ||||||||
— | — | topaz brown | topaz brown | — | ||||||
-14 to -17 | champagne brown |
champagne brown |
amber | amber | amber | amber | amber | amber | amber | amber |
amethyst blue | amethyst blue | champagne brown | ||||||||
charcoal grey | golden brown |
champagne brown |
golden brown |
golden brown |
golden brown |
golden brown | ||||
silver grey | golden brown |
— |
Adj. Charisma |
European humans | Middle East humans | |||||
---|---|---|---|---|---|---|---|
West Europe |
Scandinavia | Germanic | Slavic Lands |
Mediterranean | Turkic | Persian | |
+17 to +14 | walnut brown | faded blue | faded blue | hazel | walnut brown | hazel | hazel |
+13 to +1 | hazel | china blue | china blue | hazel | hazel | chocolate brown |
chocolate brown |
cornflower blue |
cornflower blue | ||||||
faded blue | faded blue | hazel | hazel | ||||
walnut brown | jade green | hazel | walnut brown | walnut brown | |||
sky blue | jade green | walnut brown | walnut brown | ||||
walnut brown | sky blue | ||||||
— | — | walnut brown | — | — | — | — | |
0 | walnut brown | faded blue | faded blue | hazel | walnut brown | hazel | hazel |
-1 to -8 | cloud grey | chestnut brown |
chestnut brown |
whiskey brown |
whiskey brown |
chestnut brown |
chestnut brown |
steel blue | sea green | cloud grey | |||||
whiskey brown |
steel green | sea green | whiskey brown |
whiskey brown | |||
— | — | steel blue | |||||
— | — | whiskey brown |
— | — | |||
-9 | honey brown | baby blue | baby blue | honey brown | cat's eye green |
cat's eye green |
cat's eye green |
cat's eye green |
cat's eye green |
chartreuse | chartreuse | chartreuse | |||
-10 | honey brown | chartreuse | chartreuse | honey brown | emerald green | emerald green | electric blue |
crystal blue | crystal blue | emerald green | |||||
-11 | tawny brown | electric blue | electric blue | tawny brown | forest green | forest green | forest green |
emerald green | emerald green | honey brown | |||||
forest green | forest green | russet brown | |||||
-12 | tawny brown | tawny brown | honey brown | tawny brown | honey brown | russet brown | sapphire blue |
ice blue | ice blue | sapphire blue | topaz brown | ||||
-13 | tawny brown | russet brown | russet brown | tawny brown | tawny brown | topaz brown | topaz brown |
sapphire blue | sapphire blue | ||||||
-14 | amber | amber | amber | amber | amber | amber | amber |
-15 | amber | champagne brown |
aquamarine | amber | aquamarine | golden brown | amethyst blue |
charcoal grey | champagne brown |
champagne brown |
bottle green | ||||
-16 | champagne brown |
grass green | grass green | champagne brown |
grass green | grass green | champagne brown |
indigo | indigo | indigo | golden brown | ||||
-17 | champagne brown |
bottle green | bottle green | champagne brown |
bottle green | bottle green | grass green |
silver grey | indigo |
Once again, the character needs to roll a d20 and subtract his or her charisma. This is then compared against the varying races and regions that have been used thus far for skin tone and hair colour. In addition, to give an impression of different eye colours, a description of each is included to aid characters in understanding what the words mean:
- Amber: clear, luminous warm gold colour, warm and seductive
- Amethyst: very pale, clear, true-violet colour with no hint of blue
- Amethyst blue: like amethyst, but with sky-blue striations
- Aquamarine: clear, piercing blue-green with a yellow hue
- Baby blue: very light to very pale greenish or purplish blue
- Bottle green: deep vivid green, luminous, with grey flecks or rays
- Cat's eye green: pale green with yellow undertones surrounding the iris
- Champagne brown: pale orange-yellow to greyish yellow, sparkling and light-catching
- Charcoal grey: very dark grey, almost black
- Chartreuse: a brilliant greenish yellow, backlit with a deep yellowish hue
- Chestnut brown: greyish brown with a soft medium reddish hue and orangish rays
- China blue: strikingly pure dark indigo with a luminous quality
- Chocolate brown: medium true-brown, with elements of red and grey; sexy and decadent
- Cinnamon brown: distinctive reddish eyes with warm brown undertone
- Cloud grey: softly luminous pale grey with whitish tones and striations
- Coal black: pure black eyes with a vague shininess or gleam
- Cornflower blue: muted medium-blue with flecks of light blue and white
- Crystal blue: extremely pale with white rays, clear and luminous
- Ebony black: flat black eyes with a soft and subdued beauty
- Electric blue: pale to medium bright blue; bright, energetic and striking
- Emerald green: very dark, clear green with a gleaming radiance
- Faded blue: dull pale blue with a homespun quality
- Fern green: cool, flat green colour lacking in other colours
- Forest green: soft, medium green with few flecks of brown, without a brown hue
- Gingerbread brown: medium brown with a strong yellow hue and rays
- Golden brown: medium warm brown with golden rays and gold circling around the iris
- Graphite: medium true-grey, flat and dull but distinctively unusual
- Grass green: medium true-green with equal ratio of blue and yellow rays
- Hazel: strong greenish-brown with glints of many colours, with blue or yellow rays
- Honey brown: pale brown with soft, light golden colour with a warm character
- Ice blue: extremely pale blue eyes, nearly white, hard and unsettling
- Indigo: warm, exotic dark blue that absorb light rather than reflect it
- Jade green: pale greenish-white with soapy luminosity, occasionally with exotic black flecks
- Jet black: a luxurious glossy black colour notorious for reflecting images
- Midnight black: blue-black with an indigo underlay and flecks of white
- Moss green: cool mid-tone greyish green with grey-blue undertones
- Obsidian: hard, flinty black with elements of unsettling transparency
- Pale pink: whitish-pink with yellow-grey flecks
- Pewter: rich saturated dark grey with a hint of soft blue undertone
- Pine green: deep, dark green colour with a slight black hue
- Pink with green flecks: sickly-looking pink-orange hue with flinty dark green flecks
- Pink w/grey flecks: deep pink color with grey flecks and striations
- Russet brown: shimmering, glossy reddish-brown with deep blue undertones
- Sapphire blue: deep, luminous medium-blue with a rich, luminous colour
- Sea green: clear blue-green colour with darker outer blue rim
- Seaweed green: flat dark green mixed with yellow and brown hues
- Silver grey: Bright and shining glossy grey with metallic rays, very luminous
- Sky blue: clear, light blue lacking highlights or balancing hues
- Slate grey: medium grey with hints of blue with stony coolness and a matte appearance
- Steel blue: hard iron grey-blue with light grey highlights, somewhat flat in colour
- Steel green: hard iron grey-green with flecks of grey-white colour
- Tawny brown: light brown to brownish orange, with yellow gold striations
- Topaz brown: pale, clear gold colour that reflects and appears glowing or luminous
- Turquoise: pale, milky blue-green colour with white hue and undertones
- Ultramarine: vivid strong blue mixed with dense, dark violet; very luminous and beautiful
- Umber brown: dark purplish-red colour mixed with deep brown, with violet ring around iris
- Violet: light purplish colour, somewhat dull, with white and yellow flecks
- Walnut brown: medium dull dark-brown, with lighter brown ring around the iris
- Whiskey brown: watery, warm brown with a light orange hue and a reflective quality
Albino Characters
The chance of a character being an "albino" should be higher than the chance of a real person having this condition (between 1 in 3000 to 1 in 20000, depending on region). Albinism inspires a unique characteristic for a player to consider when having their character approach the game world. I suggest that the chances of the first albino occurring in the campaign should be 1 in 100; and the chance of a second like character being 1 in 400. Such characters possess a flat white hair colour and deep red eyes. They may also be partially or wholly blind, in which case they have adjusted somewhat to that condition; or the DM may rule that the character's condition has been cured and that only the appearance of albinism remains.
In either case, the presence of albinism supercedes the generation of hair and eye colour, and so this roll should be made first. Of course, some DMs may prefer greater odds against the condition, or the suspension of the condition in their campaign.
Heterochromia
This is the variation of colour between the character's two eyes. Less than 1% of the world's population possesses eyes of two different colours, so we may fairly institute a 1 in 100 chance of this occurring, without the odds against increasing. Simply roll twice on the tables given for the character, indicating the left eye and the right eye.
Body Type & Overall Appearance
While the main determination of the character's general semblance and quality of being pleasing or sexually alluring is determined primarily by the character's charisma, a potential exists for the character's appearance to also be affected by wisdom. Unwise characters may have experienced critical accidents through foolhardiness that resulted in the loss of a hand or limb, or even an eye. However, those effects by wisdom are dealt with elsewhere. Imagine, then, that the tables for physical appearance and features describe what the character would look like without such mishaps having occurred.
[further details to be added at a later time]
Origin
The character's origin addresses the circumstances of the character's birth and other matters relating to upbringing, family, early training in secondary skills and the character's starting wealth. Prior to that moment when the player first enters the game, all time that has passed and all things that have happened are out of the player's control. These things are determined randomly, influenced by the choices made in allocating their ability scores ... for this allocation may allow or disallow the occurrence of a wide range of chance events and possibilities.
Family
As we know from our own experience, no person chooses the family or social status into which he or she is born. We may wish to be born rich, or a member of the nobility, but the fact is that our fate is out of our hands. Some are lucky; some are not. A part of learning what the character is, or what opportunities exist to be had, we must first learn what family the character has. The attribute that determines this is strength, which dictates the overall survival and number of the character's living relations.
By extension, we may assume that if the character has living grandparents or parents, most likely there exists a corresponding extended family, dwelling around the area of the character's birthplace. If, on the other hand, it turns out the character was made an orphan in their youth — perhaps without any family relations at all — then the lack of family might be a motivating factor in the way the character sees the game world.
Adj. Strength | Upbringing |
---|---|
+17 to +14 | Left on the doorstep of a cottage as a foundling; and thereafter adopted and given an education |
+13 | Born a slave and kept until freed, began working as an apprentice at the age of [6-9]. |
+12 to +11 | Lost family at age [6-9], finding support from a mentor acting as a surrogate parent [+1 age for elf thieves] |
+10 to +9 | Lost family after beginning class-level training at age [10-14] [+2 age for elf thieves]; continued education with the help of mentor and institution [see Institution subtable] |
+8 to +7 | Raised by [mother/father]'s [sister/brother] after [1-12] years of age [see Sibling subtable for this entry and all entries downtable] |
+6 to +4 | Raised by [mother/father]'s [sister/brother] after [1-12] years of age |
+3 | Raised by an elder [sister/brother] after [3-12] years of age; sibling is [2-8] years older than the character |
+2 to +1 | Raised by both of [mother/father]'s parents after [2d4+5] years of age |
0 | Raised by single [mother/father] |
-1 to -2 | Raised by both parents |
-3 to -6 | Raised by both parents and [1-2] grandparents, elder either to [mother/father] |
-7 to -12 | Raised by both parents and 3 grandparents |
-13 to -17 | Raised by both parents and all four grandparents |
Family Table
We begin by creating an adjusted strength number, rolling a d20 and subtracting the character's strength. This produces a number between 17 and -17, as explained in the determination of hair. By consulting the table, we can learn the extent of the character's living family. Throughout the table, additional details need to be rolled here or on the subtable below. Where it describes the character as "raised by," it should be understood that the named parents are still alive when the character enters the campaign.
If there are parents, the first sibling is born into a family when the mother is between the age of 14 and 20. Count the father's age as [3d4-4] added to the mother's age. Additional children are born 1 to 3 years after the first (the time difference accounting for children who may have been lost between living siblings). This should give the approximate age of the character's parents. If the placement of the character in the order of birth cannot be reconciled, then assume elder brothers and sisters are twins or triplets. Mentors will be [5d6+20] years older than the character.
From extrapolating the age of the parents and siblings, a character may take the time, if wished, to calculate their wider family tree by rolling the strength of each family member, rolling their own background on the family table — obviously discounting any results that can't fit with known details. At present, a true depiction would require another table for maladies and early deaths, which I don't intend to create at this time; but the reader could make up one of their own.
Sibling Subtable
A character's relationships with his or her siblings are discussed under Choices and Relationships. It shouldn't be assumed that characters have a positive relationship to any member of their family. With the table below, we're only concerned with the number of siblings, along with other odd matters. The same adjusted strength roll should be used for the sibling table as it was for the main family table.
Thus, if the character's adjusted strength was +8, indicating that "he" was raised by an "aunt," then the same +8 result would be used to determine the character's number of siblings.
Adj. Strength | Number of Siblings | Special |
---|---|---|
+8 to +7 | [roll d20] none (1-14), one (15-19) or two (20) |
— |
+6 | [roll d20] none (1-9), one (10-17), two (18-19) or three (20) |
— |
+5 to +3 | 0-3 (d4-1) | — |
+2 to -2 | 1-4 | — |
-3 to -6 | 2-4 | — |
-7 to -9 | 0-5 (d6-1) | character had a fraternal twin that died [roll d20] at birth (1-7), at the age of [1-3] (8-17) or at the age of [4-14] (18-20) |
-10 | 1-6 | character has a living fraternal twin |
-11 | 2-7 | character has a living identical twin |
-12 to -13 | 2-8 | roll character had an identical twin that died [roll d20] at birth (1-9), at the age of [1-3] (10-17) or at the age of [4-14] (18-20) |
-14 to -15 | 4-10 | — |
-16 to -17 | 6-15 (3d4+3) | — |
Due to the circumstances of their birth, character with an adjusted strength of +17 to +9 have no known siblings.
Once the sex of each sibling has been determined, the character can be placed in the order of birth by simply rolling a random number of siblings who are either younger or older than the character. For example, if the character were one of 8 children, a d8 could be used to indicate if the character where the 1st or the 5th born, or whatever. This particular fact can matter greatly where it comes to possibility of inheriting a rich parent's fortune, and is particularly crucial if the character turns out to be born a member of a region's nobility or of a kingdom's royal family.
Should it happen that the character has a fraternal or an identical twin, the DM may give the player the option of running both. In the case of fraternal twins, roll 2d8 for each of the character's stats, subtracting 5, producing an adjustment between -3 and +3. For each of these rolls, there's a 10 in 16 chance that the adjusted stat would be the same or within 1 point of the originally rolled character. The chance is 15 in 16 that it will be within 2 points. With identical twins, the twin's stats are exactly the same.
The table doesn't include the possibility of triplets or quadruplets, but the DM may all a 1 in 100 chance of triplet fraternal twins — with an equal like chance of quadruplets and quintuplets, following each roll of 1 in 100. The chance of triplet identical twins might be rated at 1 in 400. The reason the chances are so low is that in a medieval or post-medieval setting, like as not all of three or more twins would be unlikely to survive the birth, or the mother either.
Institution Subtable
It should be noticed that character's with high strengths, like clerics, fighters, monks, paladins and rangers, are far more likely to have large families than are bards, illusionists or mages. This is intentional. Strength and bravery ask for a strong support network, encouragement and a belief in working together, the sort of thing that large families encourage. On the other hand, the unlikeliness of illusionists and mages suggest that many who come to profession come to it by chance, as self-reliant, even resentful persons isolated by their circumstances — for example, by being made an orphan.
The sort of upbringing an individual is given has no influence at all on their ability as a class character. But it does suggest a view of the world; a history that can be played, for the player to find in his or herself when approaching the game.
Instititutions, foster parents and mentors are determined by the character's class. Normally, an individual starts training as a bard, cleric, druid and so on at the age of 8 to 10. A foundling or a young character forced to fend for themselves — who has clearly made something of themself, since we're looking back — relies upon whatever culture is willing to support them. Assassins thus come from cultures very different than an illusionist or a paladin.
Class | Institution [d20] |
---|---|
assassin | barracks (1-3), beggar's guild (4-16), shipboard (17-19), whorehouse (20) |
bard | bard's college (1-14), guildhouse (15-16), performing troupe (17-20) |
cleric | church (1-14), monastery (15-20) |
druid | manor farm |
fighter | barracks (1-12), camp follower (13), manor farm (14-16), shipboard (17-20) |
illusionist | guildhouse (1-9), library (10-20) |
mage | guildhouse (1-14), library (15-20) |
monk | monastery |
paladin | barracks (1-12), manor farm (13-19), monastery (20) |
ranger | manor farm (1-9), shipboard (10-20) |
thief | beggar's guild (1-12), guildhouse (13), shipboard (14-18), whorehouse (19-20) |