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	<id>http://wiki.alexissmolensk.com/index.php?action=history&amp;feed=atom&amp;title=Adelphoe_%28play%29</id>
	<title>Adelphoe (play) - Revision history</title>
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	<updated>2026-06-09T14:56:41Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://wiki.alexissmolensk.com/index.php?title=Adelphoe_(play)&amp;diff=22592&amp;oldid=prev</id>
		<title>Tao alexis at 03:10, 14 August 2023</title>
		<link rel="alternate" type="text/html" href="http://wiki.alexissmolensk.com/index.php?title=Adelphoe_(play)&amp;diff=22592&amp;oldid=prev"/>
		<updated>2023-08-14T03:10:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:10, 14 August 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Adelphoe (play).jpg|right|350px|thumb]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Adelphoe (play).jpg|right|350px|thumb]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Adelphoe&amp;#039;&amp;#039;&amp;#039; (&amp;quot;the Brothers&amp;quot;) is a comedy by the playwright Terence, produced at Rome in 160 &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;BC&lt;/del&gt;&amp;lt;small&amp;gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Small text&lt;/del&gt;&amp;lt;/small&amp;gt;; the play was adapted from Menander.  Unlike other Roman comedies, the play has a purpose and presents two conflicting methods of education and their results.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Adelphoe&amp;#039;&amp;#039;&amp;#039; (&amp;quot;the Brothers&amp;quot;) is a comedy by the playwright Terence, produced at Rome in 160 &amp;lt;small&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;BC&lt;/ins&gt;&amp;lt;/small&amp;gt;; the play was adapted from Menander.  Unlike other Roman comedies, the play has a purpose and presents two conflicting methods of education and their results.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot begins when Micio has adopted Aeschinus, the son of his brother Demea, and has reared him &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;wtih &lt;/del&gt;kindness and generosity.  Demea raises the other son, Ctesipho, with severity and restraint.  The play describes the love affairs of the two sons; Ctesipho has fallen in love with a slave girl, whom Aeschinus steals from a slave dealer for his brother.  Demea thinks Aeschinus is in love with the girl, and so does Sostrata, the mother of Pamphila, whom Aeschinus actually loves and has made pregnant.  The misunderstandings are cleared up when Micio learns the truth and persuades Demea to accept the situation calmly.  Demea, realising that his brother&amp;#039;s popularity is based on excessive leniency, amusingly reverses his way of life and wins the affection of both sons by his sudden generosity.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The plot begins when Micio has adopted Aeschinus, the son of his brother Demea, and has reared him &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;with &lt;/ins&gt;kindness and generosity.  Demea raises the other son, Ctesipho, with severity and restraint.  The play describes the love affairs of the two sons; Ctesipho has fallen in love with a slave girl, whom Aeschinus steals from a slave dealer for his brother.  Demea thinks Aeschinus is in love with the girl, and so does Sostrata, the mother of Pamphila, whom Aeschinus actually loves and has made pregnant.  The misunderstandings are cleared up when Micio learns the truth and persuades Demea to accept the situation calmly.  Demea, realising that his brother&amp;#039;s popularity is based on excessive leniency, amusingly reverses his way of life and wins the affection of both sons by his sudden generosity.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Terence thus shows that a wise and sympathetic treatment of youth, which avoids the extremes of hardness and laxity, is best.  The play contains much subtle humour and is the best of Terence&amp;#039;s comedies.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Terence thus shows that a wise and sympathetic treatment of youth, which avoids the extremes of hardness and laxity, is best.  The play contains much subtle humour and is the best of Terence&amp;#039;s comedies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Plays]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;See [[Playwriting (sage study)]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Plays&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]][[Category: Don&amp;#039;t Review until 2024&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tao alexis</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.alexissmolensk.com/index.php?title=Adelphoe_(play)&amp;diff=22133&amp;oldid=prev</id>
		<title>Tao alexis at 20:10, 8 May 2023</title>
		<link rel="alternate" type="text/html" href="http://wiki.alexissmolensk.com/index.php?title=Adelphoe_(play)&amp;diff=22133&amp;oldid=prev"/>
		<updated>2023-05-08T20:10:39Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:10, 8 May 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Terence thus shows that a wise and sympathetic treatment of youth, which avoids the extremes of hardness and laxity, is best.  The play contains much subtle humour and is the best of Terence&amp;#039;s comedies.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Terence thus shows that a wise and sympathetic treatment of youth, which avoids the extremes of hardness and laxity, is best.  The play contains much subtle humour and is the best of Terence&amp;#039;s comedies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category: Plays]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tao alexis</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.alexissmolensk.com/index.php?title=Adelphoe_(play)&amp;diff=22132&amp;oldid=prev</id>
		<title>Tao alexis: Created page with &quot;thumb &#039;&#039;&#039;Adelphoe&#039;&#039;&#039; (&quot;the Brothers&quot;) is a comedy by the playwright Terence, produced at Rome in 160 BC&lt;small&gt;Small text&lt;/small&gt;; the...&quot;</title>
		<link rel="alternate" type="text/html" href="http://wiki.alexissmolensk.com/index.php?title=Adelphoe_(play)&amp;diff=22132&amp;oldid=prev"/>
		<updated>2023-05-08T20:10:19Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&lt;a href=&quot;/index.php/File:Adelphoe_(play).jpg&quot; title=&quot;File:Adelphoe (play).jpg&quot;&gt;right|350px|thumb&lt;/a&gt; &amp;#039;&amp;#039;&amp;#039;Adelphoe&amp;#039;&amp;#039;&amp;#039; (&amp;quot;the Brothers&amp;quot;) is a comedy by the playwright Terence, produced at Rome in 160 BC&amp;lt;small&amp;gt;Small text&amp;lt;/small&amp;gt;; the...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File:Adelphoe (play).jpg|right|350px|thumb]]&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Adelphoe&amp;#039;&amp;#039;&amp;#039; (&amp;quot;the Brothers&amp;quot;) is a comedy by the playwright Terence, produced at Rome in 160 BC&amp;lt;small&amp;gt;Small text&amp;lt;/small&amp;gt;; the play was adapted from Menander.  Unlike other Roman comedies, the play has a purpose and presents two conflicting methods of education and their results.&lt;br /&gt;
&lt;br /&gt;
The plot begins when Micio has adopted Aeschinus, the son of his brother Demea, and has reared him wtih kindness and generosity.  Demea raises the other son, Ctesipho, with severity and restraint.  The play describes the love affairs of the two sons; Ctesipho has fallen in love with a slave girl, whom Aeschinus steals from a slave dealer for his brother.  Demea thinks Aeschinus is in love with the girl, and so does Sostrata, the mother of Pamphila, whom Aeschinus actually loves and has made pregnant.  The misunderstandings are cleared up when Micio learns the truth and persuades Demea to accept the situation calmly.  Demea, realising that his brother&amp;#039;s popularity is based on excessive leniency, amusingly reverses his way of life and wins the affection of both sons by his sudden generosity.&lt;br /&gt;
&lt;br /&gt;
Terence thus shows that a wise and sympathetic treatment of youth, which avoids the extremes of hardness and laxity, is best.  The play contains much subtle humour and is the best of Terence&amp;#039;s comedies.&lt;/div&gt;</summary>
		<author><name>Tao alexis</name></author>
		
	</entry>
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